Peanut Gallery

In this engrossing historical novel, three storylines converge on a single target, a female Nazi nicknamed the Huntress. During the war, we follow Nina, one of the Soviet women who flew bomber runs and were known as the Night Witches. After the war, we follow Ian, a British war correspondent turned Nazi hunter, who has teamed up with Nina to hunt down the Huntress as Nina is one of the very few people who saw her face and survived. At the same time, in Boston, we follow Jordan, a young woman who wants to be a photographer and is suspicious of the beautiful German immigrant her father wants to marry...

In The Huntress, we often know what has happened or surely must happen, but not why or how; we know Nina somehow ended up facing off with the Huntress, but not how she got there or how she escaped; we know who Jordan's stepmom-to-be is and that she'll surely be unmasked eventually, but not how or when that'll happen or how the confrontation will go down. There's a lot of suspense but none of it depends on shocking twists, though there are some unexpected turns.

Nina and Jordan are very likable and compelling, especially Nina who is kind of a force of nature. It took me a while to warm up to Ian, but I did about halfway through. Nina's story is fascinating and I could have read a whole novel just about her and her all-female regiment, but I never minded switching back to Jordan as while her life is more ordinary, it's got this tense undercurrent of creeping horror as she and everyone around her are being gaslit and manipulated by a Nazi.

This is the kind of satisfying, engrossing historical novel that I think used to be more common, though this one probably has a lot more queerness than it would have had if it had been written in the 80s - a woman/woman relationship is central to the story, and there are multiple other queer characters. It has some nice funny moments and dialogue to leaven a generally serious story (Nina in particular can be hilarious), and there's some excellent set piece action scenes. If my description sounds good to you, you'll almost certainly enjoy it.

Spoilers! ( Read more... )

Quinn has written multiple historical novels, mostly set during or around WW2. This is the first I've read but it made me want to read more of hers.

Content notes: Wartime-typical violence, gaslighting, a child in danger. The Huntress murdered six children, but this scene does not appear on-page. There is no sexual assault and no scenes in concentration camps.

A Bad Idea comic by Matt Kindt, Ramon Villalobos and Tamra Bonvillain. A swords and sorcery parody/pastiche about a group of badass, backstabbing, greedy, terrible people tasked with saving a peaceful city from invaders. I picked this up based on the art, which is spectacular - I especially love the unusual color palette.





Unfortunately, the story is both cliched and kind of edgelord, and I didn't care about any of the characters. Also, the art is extremely gory - the panel above is mild. So I won't be continuing this series, but I may look into what else Ramon Villalobos, the artist, has done.

Audio and transcript here.

Kat Spada: Today, I’m talking to Rachel Manija Brown, a writer who’s published over 30 books, and opened up Paper & Clay Bookshop in late 2024. Rachel, will you tell me about why you decided to open a bookshop?

Rachel Brown: I had never intended to open a bookshop. I always thought it was one of those idle daydreams that people who love reading and books have. I never planned to actually do it because I didn’t think it would be successful—they frequently go out of business. But after I moved to Crestline, which is a very small town in the California mountains, the little town did not have a bookshop.

It had a shop that was kind of a bookshop. I would say about ten percent of its inventory was books, but it was primarily gifts and herbs and crystals and things like that. But it had a really great atmosphere, people loved it, the people who worked there were really great. And all the kids in town used to hang out there, especially the queer and trans and otherwise kind of misfit kids. And I used to hang out there.

[When it went] out of business, I was so sad at the idea of the mountain losing its only bookshop. Especially the thought that all the queer, trans, bookish, and otherwise misfit teenagers, like I had once been, were going to lose their safe space.

I started daydreaming about opening it myself, and I thought, I love this idea so much, maybe in a couple of years when I have actual preparation, I’ll open a bookshop. Then I realized it was at was such a good location, that I would never get that good of a location again. It’s smack in the middle of the tourist district, every person who visits Crestline walks right past it.

Unfortunately, this was all while I was in Bulgaria for a month. So, I spent some time frantically trying to take over the lease, which was extremely difficult from another country. I couldn’t take possession of the shop until November 1st, and I really wanted to open it in time to get all the Christmas customers. And I have a tiny house, so I couldn’t really buy very much, because I had no place to put it. So I took possession of the shop on November 1st, and I opened on November 14th.


I've posted the rest of the edited transcript below the cut. ( Read more... )

A middle-grade novel about a boy who lives in the woods, tagged as "A worthy successor to Hatchet and My Side of the Mountain."

12-year-old Raymond Hurley lives with his beloved dog Rosie and his neglectful, drug addict, emotionally abusive parents, who move constantly, have only cooked a homemade meal for him once in his entire life, and scream at him and stomp out when he cooks Thanksgiving for them. The one time he told anyone about this, he was temporarily placed in a children's home that was even worse than living with his parents, so he has decided to never tell anyone anything ever.

When they take off, ditching him and Rosie, he lives in the woods behind his middle-school. He continues attending school, as they feed him twice a day. Otherwise, he dumpster-dives after hours at the school, and fishes in the river. While this is all going on, he accidentally makes two friends at school despite his resolve to stay under the radar, accidentally befriends an old man who also fishes in the river, and accidentally tames a coyote (!), who he names Hank. But obviously, this is all unsustainable long-term...

This book isn't that much like the classic "kid survives in woods" books. It's not really about wilderness survival, it's about homelessness and the psychological effects of negligence. It doesn't have the vibe at all of something like Hatchet, where there's something satisfying and profound about living off the land and being in nature, even though it's hard and dangerous and uncomfortable. Raymond's life in the woods is just sad. It's closer to something like Homecoming, in which four kids abandoned by their mother make their way across the country in search of a home, but it's sadder and more aimless than that because Raymond is alone in his predicament and doesn't have a goal other than "stay out of the children's home."

The elements that are survival-y, like taming the coyote, clash with the overall feel of suburban social issue fiction. Especially because they're wildly unrealistic - you can't tame a coyote to the point of petting it and playing with it and having it play with your dog! A coyote will EAT your dog! (There's a key scene involving a venomous snake that also pinged my "it doesn't work that way" sense.)

I didn't really like this book, though it's not a bad book at all. I would have liked it better if it had fully committed to being a realistic book about a homeless child. I also would have liked it better if Raymond's big goal wasn't just "stay out of the children's home," but "stay out of the children's home because I hate it and they'll take away Rosie and who knows what will happen to her." He never once worries about that, which seems like a really odd thing to not be concerned about under the circumstances. If he'd been committed to protecting Rosie, it would have given him and the book more drive. I get that the writer wanted to have Raymond be more just drifting through life, but since he's putting a lot of effort into not getting caught, I think it would have made the book more compelling if the effort was connected to a living being he cared about.

The ending is an absolutely typical ending for this sort of book:

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Content notes: child abuse, homelessness, animal death.

A new comic from Ignite Press by Stephanie Williams, Letizia Cadonici (main artist) and Juliet Nneka (alternate covers.) At the turn of the century, Etta, a young Black woman, studies both science and a book of old remedies she inherited from her mother, along with some dire warnings she doesn't heed.

This is a really interesting historical fantasy with elements of cosmic horror and dark academia. Each issue has alternate covers in very different styles. I like both of them.





I'll be following this one.

Content notes: So far racism is part of the world and why the characters make some choices, rather than violent or constantly present on-page. The rabbits are used in experiments that are not cruel - Etta tests a healing ointment on one that has an injury - but they seem likely to eventually turn into zombies or get possessed by cosmic horrors or merge with eldritch plants.